I Was Working With Real Artists [in

I Have Been In My Fair Share Of Both Onscreen And Off Screen Fights.

There's Something Nice And Valuable And Wonderful About The Suspense And The Classic Horror That Doesn't Just Crutch On Blood And The Almost Pornographic View Of Fear.

I Was Working With Real Artists [in The Rum Diary], And That's Difficult To Do And Very Rare, In This Industry, Ironically.

I'm No Mechanic But I Can Change My Oil And I Know What To Do When I Get A Flat Tire And I Can Hot-wire It In An Emergency.

I Come From A Place Where I Find It Hard To Identify With A Label.