If Nothing Is At Risk, Nothing Is

As A Necessary Prerequisite To The Creation Of New Forms Of Expression One Might, I Suppose, Argue That Current Sensibilities Respond Uniquely To The Notion Of Exhaustion As Exhaustion, Although That Does De Facto Seem Rather Limiting.

In My Model, Important Interference Phenomena Arise When Individual Strata Come Into Contact. These Chaotic Fluctuations Are, I Suppose, What My Music Is Really About.

Naturally Enough, I Couldn't Have Foreseen The Vast Sea Change Which Has Come Upon That Scene As A Result Of German Reunification And Associated Events.

The Western Musical Canon Came About Not Merely By Accumulation, But By Opposition And Subversion, Both To The Ruling Powers On Whom Composers Depended For Their Livelihoods And To Other Musics.

I Dont See Lines Of Force As Being Destructive, Except To The Extent That They Are Exclusively Traceable Through Observance Of The Path Of Distorted Material Left In Their Wake.