My Hand Trembles, My Heart Does Not.

There's No Attempt To Manipulate The Audience. We Made Our Choice At The Start.

I Directed 24's Pilot. I Felt We Should Follow The Characters Around As If We Were A Documentary Crew, Using Available Light, Hand-held Cameras, Split Screens, Sound That Isn't Always What It Should Be, To Suit The Reality Of The Premise.

Each Environment Has Its Own Signature. Sound Tells A Story: You Make Choices About What You're Hearing, Where To Look, How You Want To Feel About What's Going On.

I Believe There's A Landscape That Exists Underneath Everything That We Can See In Present-day Stuff. And I Think That Makes Life Kind Of A Detective Story.

We Shoot Double Episodes In 15 Days In Los Angeles.