To Do A Drawing For A Painting

Sometimes I See It And Then Paint It. Other Times I Paint It And Then See It. Both Are Impure Situations, And I Prefer Neither. At Every Point In Nature There Is Something To See. My Work Contains Similar Possibilities For The Changing Focus Of The Eye.

Most Of The Power Of Painting Comes Through The Manipulation Of Space... But I Don't Understand That.

Take An Object. Do Something To It. Do Something Else To It.

My Experience With Life Is That It's Very Fragmented. In One Place Certain Kinds Of Thing Occur, And In Another Place A Different Kind Of Thing Occurs. I Would Like My Work To Have Some Vivid Indication Of Those Differences. I Guess, In Painting, It Would Amount To Different Kinds Of Space Being Represented In It.

I Would Tend To Say That I Do What I Do As Well As Possible And That Most People Don't.